The paintings in the series "ORNAMENTAL / TECHNOID / INSECTOID" are inspired by (repetitive) ornaments and use an "ornamental" approach to painting, meaning "beautiful and harmonious" brushstrokes. They are also inspired by the shapes of circuits and technical devices, as well as (protruding) body parts of insects. This confluence creates a somewhat bizarre "Gestalt" for our anthropocentric eyes.
I am fascinated by what I'm calling "ornament," since so much that surrounds us seems decorative rather than useful or utilitarian. This "ornament" embellishes our daily lives, almost unavoidably. Perhaps it is analogous to the way in which we humans are to some extend mere decoration for the genes that are working away underneath it all.
Especially in the early paintings here I use artificial colors, that don't tend to occur in nature, to avoid mere documentary representation.
I am fascinated by what I'm calling "ornament," since so much that surrounds us seems decorative rather than useful or utilitarian. This "ornament" embellishes our daily lives, almost unavoidably. Perhaps it is analogous to the way in which we humans are to some extend mere decoration for the genes that are working away underneath it all.
Especially in the early paintings here I use artificial colors, that don't tend to occur in nature, to avoid mere documentary representation.
Ornamental / Technoid / Insectoid
LARGE ORNAMENTAL FRIEZE (detail)
1989
Acrylic and pigment on canvas
16 panels out of the full 36 panels, each 32.3" x 47.25", 82 x 120 cm
1989
Acrylic and pigment on canvas
16 panels out of the full 36 panels, each 32.3" x 47.25", 82 x 120 cm
See also MMMNC LOGO FRIEZE



ORNAMENTAL FRAGMENTS (competing with each other and other entities)
2011 - 2022 (work in progress)
Acrylic, dispersion and household paint on canvas
60" x 72", 152 x 182 cm
2011 - 2022 (work in progress)
Acrylic, dispersion and household paint on canvas
60" x 72", 152 x 182 cm
This painting is a by-product of working on other paintings. I use leftover paint on brushes and diverted attention (or next to no attention) to continue working on it. The thumbnails show earlier stages of the painting from 2015, 2014 and 2011.
FRAGMENTED SYMMETRY I
2004
Pigments and acrylic on canvas
Two panels, each 24" x 48", 61 cm x 122 cm
2004
Pigments and acrylic on canvas
Two panels, each 24" x 48", 61 cm x 122 cm
Schopenhauer or Picasso or Mies van der Rohe or... supposedly said that "symmetry is the art of the primitive" (or of the allegedly simple-minded or naïve, for that matter). Luckily, this painting is not symmetrical.
F. C., Milano
F. C., Milano
ORNAMENTAL FACE WITH TWO ORNAMENTAL FACES
1990
Pigments and acrylic on canvas
49.2" x 71.5", 125 x 179 cm
1990
Pigments and acrylic on canvas
49.2" x 71.5", 125 x 179 cm
LARGE ORNAMENTAL FRIEZE (detail)
1989
Acrylic and pigment on canvas
16 panels out of the full 36 panels, each 32.3" x 47.25", 82 x 120 cm
1989
Acrylic and pigment on canvas
16 panels out of the full 36 panels, each 32.3" x 47.25", 82 x 120 cm
See also MMMNC LOGO FRIEZE